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Queensland Gallery of Modern Art | GOMA Brisbane

We can make another future | GOMA

Do you like modern art?  A couple of years back I would have said I couldn’t be bothered with it at all.  That all changed with the Cai Guo-Qiang exhibition at the Queensland Gallery of Modern Art (GOMA).  I totally fell in love with the multiple interpretations, the scale and variety.  I’m no art scholar, basically I know nothing about it at all other than sometimes I like looking at it and contemplating it for a while.

GOMA Brisbane is located on the Southbank of the Brisbane River in the Cultural Precinct.  It’s easy to access and has an exciting collection of visiting and permanent displays throughout the year.  Since my introduction with Cai Guo-Qiang I’ve been back a number of times and share below some of my favourite exhibitions.

We can make another future:  Japanese art after 1989

I am a bit fascinated with Japan though so I knew I would end up stopping in to see the current exhibition entitled ‘We can make another future: Japanese art after 1989’.  The display has been put together from the galleries own extensive collection of artworks by Japanese artists created during the Heisei era.  Which brought me to my first question .. what is the Heisei era and why haven’t I heard of it?

As you travel through Japan  you pretty quickly become familiar with the Imperial eras.  The magnificent temples, castles, gardens and other design elements are preserved with great care around the country.  World heritage sites, National treasures and other collections are credited to the Nara, Kamakura, Heian, Edo, Showa and the handful of other imperial eras they originate from.  What I didn’t know until this week is that since 8 January 1989 we’ve been in the Heisei (translated as the ‘peace everywhere’) era.  The era begins with the appointment of the new Emperor, in this case , Emperor Akihito.  Posthumously the Emperor will be known by the name of his era but not during his lifetime.

Now I don’t want this to be a spoiler for those planning to get along to the event but perhaps a small taster will help you decide whether it’s something you might enjoy.

Japanese art after 1989 | GOMA
Japanese art after 1989 | GOMA

 

Yayoi Kasuma created the fibreglass and plastic flower on display at the entrance to the exhibition in 2011.  Through it’s scale, polka dots and huge staring eye Yayoi-san seeks to evoke power, sexuality and at the same time an air of joyousness.  Themes recurring through her work include this play on symbolism and contrasts.

Masami Teraoka is a Japanese artist and long time resident of the USA.  Her Geisha in the Bath piece was created as part of her AIDS series to raise awareness around HIV.  It was a cause she was drawn to when a friends baby was infected with HIV from a blood transfusion.  Her work draws on the Shunga style of erotic art and is a satirical expression of sexual behaviour and the governments failure to act.

Japanese Art post 1989 | GOMA

Woods III is by Shigeo Toya and draws on the post Mono-ha style which I do enjoy.  Works in this style focus on the interdependence of the individual elements, the surrounding space and the construction materials.   In this piece the elements take the form of squared off tree trunks in a structured grid arrangement.  Toya-san carved elaborate patterns with a chainsaw revealing the inner layers and many complex spaces and viewpoints.  This type of art is designed to enjoy from inside as well as the outside looking in.  To me it feels reminiscent of a forest, totems and has a strong spiritual element.

And just one more.  I had to include this because its just so KAWAII!!!  And because of my own huge desire for a caravan to escape in at the moment.  This is by Yoshitomo Nara whose known for his eclectic style of cartoon meets punk, sometimes innocent and with an edge of slightly crazy.  I adored it!

We can make another future | Goma

 Visitor Information for GOMA Brisbane

The Gallery of Modern Arts is located along the Brisbane river within the cultural precinct of the Southbank area.  It’s an easy flat walk from the South Brisbane train station or several bus stops in the vicinity.  If you prefer to explore Brisbane from the river the two Southbank ferry stops will also drop you not too far away.

Entry to the museum and many of the exhibits, including most of the limited time visiting collections, are free. There are always several exhibitions running at the one time but I find my mind can only take in one a day as the styles can vary so dramatically – I need some sort of palette cleanser in between them to enjoy them properly.

With that in mind you will find onsite a cafe, Bistro and Restaurant if you want to take some time out to absorb what you have seen.  Alterntively you are only a very short walk from the Southbank Parklands here and the restaurant strip of Little Stanley Street.

So what do you think?  Will you make a date to get along to the next exhibition at GOMA?  Do you enjoy modern art or have had your perception changed by a particular artist or piece?

2 Comments

  • Hello
    Have you heard of a Japanese painter named Siguo Iwabuchi? I discovered one painting of his/hers at an antique mart in Michigan. It looks to be dated around 1990
    I would appreciate any information about the artist if you happen to have any
    Thank you
    Michael

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